Chapter 4 - The Man With the Second Saint.

By noon, photographs of every senior employee on the Moretti estate covered the walls of Alessandro's study.
Sophia stood in front of them holding Emma on one hip.
"Don't rush her," she said.
Marco nodded.
"We won't."
Alessandro said nothing.
His patience looked less like calm now and more like something under enormous pressure.
Emma sucked her thumb and studied the photographs.
Bruno sat beside her chair.
The blue ribbon remained around his collar, absurdly cheerful against his black fur.
"Was the flower man one of these people?" Sophia asked.
Emma pointed first at the cook.
"He makes pancakes."
"Yes."
Then she pointed at Marco.
"He says boss a lot."
Marco looked offended.
"I do not say it that much."
Emma nodded with complete confidence.
"A lot."
Even Alessandro's mouth twitched.
Then Emma's finger stopped over a photograph near the bottom row.
The man was in his early fifties with dark hair, a square jaw, and the polished smile of someone accustomed to expensive conference rooms.
Sophia felt Alessandro become still beside her.
"Him?"
Emma stared.
"Maybe."
"What's his name?" Sophia asked.
Alessandro answered.
"Lorenzo DeLuca."
"Who is he?"
"Chief financial officer for Moretti Holdings."
Marco frowned.
"He's in New York."
"Is he?" Alessandro asked.
Marco reached for his phone.
Emma pointed at another photograph.
"He had shiny."
The second man was younger.
Thin face.
Dark blond hair.
A nervous smile.
Sophia looked at the label beneath the picture.
JULIAN VALE.
"Sebastian's son?"
Alessandro nodded.
"Corporate compliance attorney."
"He works for you too?"
"Worked."
"What does that mean?"
"It means his access has just been terminated."
Marco ended his call.
"Lorenzo's hotel confirms he's been in Manhattan since Tuesday."
"Video?"
"They're sending it."
Sophia looked at Julian's photograph.
"Where is he?"
Marco hesitated.
"Nobody has seen him since yesterday."
Alessandro picked up the photograph.
"Find him."
The search spread through Chicago before sunset.
Julian Vale's condominium was empty.
His car remained in the underground garage.
His passport was gone.
His company laptop had been wiped remotely at 2:13 that morning.
The most troubling detail came from his desk.
Inside a locked drawer, security found dozens of printed photographs of Daniel Carter.
Daniel entering his office.
Daniel leaving a train station.
Daniel carrying Emma as an infant outside a pediatric clinic.
Sophia threw up in Alessandro's private bathroom after seeing the third photograph.
He stood outside the door without speaking.
When she emerged, she looked furious enough to break something.
"They watched us."
"Yes."
"While Daniel was alive."
"Yes."
"Why?"
"Because he found something they were afraid of."
"What?"
"We're working on that."
"Stop saying we."
Alessandro's eyes narrowed.
"Excuse me?"
"You keep saying we like this is some problem your people can manage."
Her voice shook.
"My husband is dead."
"I know."
"Someone followed him."
"I know."
"Someone took pictures of my baby before she could walk."
"Sophia."
"And yesterday someone came onto this estate and tried to get her into a van."
The last words broke.
Alessandro took one step toward her.
She raised a hand.
"Don't."
He stopped.
That mattered more than she expected.
"I am not asking you to trust my organization," he said.
"Good."
"I'm asking you to trust what I will do to protect Emma."
"Those are not the same thing?"
"No."
For the first time, Sophia believed he understood the difference.
A knock came from the study.
Dr. Hale entered carrying Bruno's new medication.
The old dog had spent the afternoon asleep beside Emma, exhausted from his sprint after the van.
Richard crouched beside him.
"His hip is inflamed."
Emma immediately frowned.
"Fix it."
"I'm trying."
"Try better."
Richard looked at Sophia.
"She has your bedside manner."
Alessandro almost laughed.
Bruno allowed the veterinarian to examine his leg as long as Emma's hand rested on his head.
Richard administered medication and then turned to Alessandro.
"He can't keep running like this."
"Tell him."
"He doesn't listen to me."
Emma patted Bruno.
"No running."
The dog exhaled.
"See?" Richard said.
"Problem solved."
For one fragile hour, the house grew quiet.
Emma ate macaroni at the kitchen island.
Bruno slept beneath her stool.
Sophia drank coffee she did not want.
Alessandro received calls from New York, Detroit, and three cities Sophia did not catch.
Every call ended with the same clipped instruction.
"Freeze it."
After the fifth call, Sophia asked, "What are you freezing?"
"Accounts."
"Whose?"
"Anyone connected to Sebastian or Julian Vale."
"How many people is that?"
"More than I would like."
Marco entered and placed a laptop on the counter.
"Lorenzo's hotel footage."
The video showed Lorenzo DeLuca entering a Manhattan hotel lobby at 8:11 the previous night.
At 8:17 he stepped into an elevator.
At 8:23 he came back down.
Then the footage skipped seventeen minutes.
Marco frowned.
"That wasn't in the original upload."
Alessandro leaned closer.
When the video resumed, Lorenzo walked through the lobby again wearing the same coat.
Sophia noticed something.
"His shoes."
The men looked at her.
"Before the gap they're black."
She pointed.
"After the gap they're brown."
Marco replayed the footage.
He swore softly.
"Two men."
Alessandro said, "A double."
"So Lorenzo could be here," Sophia said.
"Yes."
Marco's phone rang.
He answered and went silent.
"Where?"
He listened.
"Don't touch anything."
He hung up.
"We found Julian Vale."
Sophia felt sick again.
"Alive?"
"Yes."
Alessandro's voice sharpened.
"Where?"
"At St. Catherine's emergency room."
"Doing what?"
"He walked in ten minutes ago with a concussion and frostbite."
Sophia stared.
"Did he say who hurt him?"
Marco looked at her.
"He says he escaped from Lorenzo DeLuca."
Alessandro did not react.
Marco continued.
"And he says his father, Sebastian, is dead."
The room went completely quiet.
"According to Julian," Marco said, "Sebastian was trying to expose Lorenzo."
Sophia looked toward the wall of photographs.
Two men wore silver saints.
One had vanished.
One had just reappeared.
And the story they had trusted for the last twenty-four hours was beginning to fall apart.
That afternoon, Emma refused to nap unless Bruno remained beside the couch.
Sophia sat nearby while Alessandro questioned Julian through a secure video connection.
Every answer created two more questions.
Julian claimed Sebastian had spent the last year trying to contact someone he called "the woman in gray."
He would not explain who she was because he said his father never had.
Alessandro reacted so slightly that only Sophia noticed.
A muscle moved in his jaw.
"You know that phrase," she said later.
"No."
She stared at him.
"That was too fast."
He almost smiled at having his own words returned to him.
Then he admitted his mother had once owned a gray winter coat she wore everywhere.
Sophia asked why that mattered if Isabella Moretti had been dead for eighteen years.
Alessandro answered that it did not.
But that night he ordered the family cemetery cameras checked anyway.
Before they left the estate for the hospital, Sophia walked through every room Emma used that week.
She checked beneath the sofa, behind the curtains, and inside the toy basket as if danger might have left an explanation where a child would hide blocks.
Instead, she found a crayon drawing tucked beneath Emma's pillow.
It showed Bruno beside a red square that was probably their apartment.
A tall black figure stood on the other side.
Sophia assumed it was Alessandro until Emma, later that morning, pointed to the picture and said, "Shiny man."
The figure had a small silver circle at its neck.
Sophia took the drawing to Alessandro.
He studied it without speaking.
"She saw him before the flower van," Sophia said.
"Maybe days before."
That meant the person watching Emma had not simply appeared during the security outage.
He had been close enough to enter the child's ordinary world without alarming anyone.
Alessandro ordered every staff photograph from the previous month reviewed again, including gardeners, temporary caterers, repair crews, and charity visitors.
The list was enormous.
Sophia hated knowing one of those smiling faces might have been measuring how easily her daughter could be reached.
When Emma later climbed into her lap and asked why grown-ups were looking at so many pictures, Sophia answered with the only truth she could safely give.
May you like
"Because we're making sure everybody around you is who they say they are."
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